
The pilgrimage, which in medieval practice combined a fundamentally religious purpose with the secular benefit of a spring vacation, made possible extended consideration of the relationship between the pleasures and vices of this world and the spiritual aspirations for the next.
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The stories and links together offer complex depictions of the pilgrims, while, at the same time, the tales present remarkable examples of short narratives in verse, plus two expositions in prose. The multiplicity of social types, as well as the device of the storytelling contest itself, allowed presentation of a highly varied collection of literary genres: religious legend, courtly romance, racy fabliau, saint’s life, allegorical tale, beast fable, medieval sermon, alchemical account, and, at times, mixtures of these genres. The use of a pilgrimage as the framing device enabled Chaucer to bring together people from many walks of life: knight, prioress, monk merchant, man of law, franklin, scholarly clerk miller, reeve, pardoner wife of Bath and many others. Geoffrey Chaucer: The Canterbury Tales /Jupiterimages
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